Based in Oklahoma City, L.J. Hill is a professional makeup artist and department head with over two decades of experience in beauty, fashion and film. Known for flawless skin work, camera-ready grooming and a calming on-set presence, Hill has worked with talent ranging from theater and film legends to music artists and public figures. She is also an educator, entrepreneur and creative producer passionate about elevating local artistry.
How did you get started in the film industry?
I began my career in beauty, fashion and editorial print, crafting looks for photoshoots that eventually transitioned into filmed content as the demand for visual storytelling grew. As fashion narratives evolved into short films and branded video content, I naturally found myself moving into television under the mentorship of renowned makeup artist Candace Corey. I also had the immense privilege of being mentored by the late, great makeup artist/creative Vanessa Petra Alexandra Evelyn, a true pioneer in fashion and beauty who trained many of today’s most respected global stylists, photographers and makeup and hair artists.
After building a strong television portfolio, I took a leap of faith and stepped away to tour nationally with theatrical productions. During that time, the film industry in my home state of Oklahoma began gaining momentum. When I returned, I transitioned into commercial work, followed by documentaries, and ultimately found my footing in the film industry.
Did you have any formal education or training related to the film industry before starting?
Yes. I trained in television and commercial work under the guidance of makeup artist Candace Corey and later advanced my film industry knowledge through department head training with two of the most respected makeup artists in the business, Kim Greene and Marietta Carter-Narcisse. While I didn’t attend a traditional film school, I’ve completed numerous industry workshops, masterclasses and professional development programs focused on on-set protocols, continuity and production standards specific to makeup artistry in film and television. Learning never stops. If you think you know everything, you don’t!
Did you have any formal education or training related to your specific department on-set?
Yes. I am a graduate of Central State Beauty Academy in Oklahoma City, where I received foundational training in skincare. Beyond that, I trained under accomplished makeup artists who not only taught me advanced artistry techniques but also how to run a makeup department effectively.
What are some of your most recent successes (credits or accolades) related to your career in the industry?
I recently wrapped “The Extinction Rule,” a sci-fi film directed by Ryan Bellgardt that I’m incredibly excited about. It’s going to be amazing once released. I also worked on “Anywhere,” directed by Adam Seidel, which won Best Feature Film at the deadCenter Film Festival. Another festival success was “Reverence,” directed by Kyle Kauwika Harris.
In hindsight, a notable project was “Resurrection Road,” directed by Ashley Cahill. It was the final film of the late, legendary Michael Madsen, and it was an honor to contribute to his last on-screen appearance.
I was also the lead makeup and hair artist for the AT&T x NBA OKC Thunder commercial, which aired during March Madness and throughout the 2025 NBA Finals playoffs, specifically grooming Jalen Williams, Chet Holmgren and the background extras. When Jalen saw his skin on camera, he said, “You did that!” Go Thunder!
What has your career in the state’s film industry taught you?
It has taught me that relationships, preparation and professionalism are everything. In Oklahoma’s growing film industry, those who are versatile, consistent and committed to excellence stand out. Collaboration is encouraged and that is essential to success.
What is the highlight of your career thus far?
One of the greatest highlights of my career was working on “The Last Defense: The Julius Jones Story,” a documentary that not only sparked national conversations but also helped ignite a movement, regardless of one’s stance on the issue.
I fought hard to be part of that project because I deeply believed in the importance of the story. I knew it would be powerful, but I had no idea how far-reaching its impact would become.
As someone who grew up on the Northeast side of Oklahoma City, I remembered the case vividly. Many of the people involved were connected to my high school community and as a young activist passionate about politics and justice, the experience was deeply personal. It was a full-circle moment that ignited my love for documentaries even more.
Filmed right here in Oklahoma, the project showed the true power of film to provoke thought, challenge perspectives and create space for necessary dialogue.
What is your favorite aspect of working in Oklahoma’s film and television industry?
The sense of community. Oklahoma’s industry may be smaller than that on the coasts, but it’s rich in talent, heart and opportunity. Everyone works hard and lifts each other up.
What’s the best piece of advice you have for someone starting their career in Oklahoma’s film industry?
Show up early, stay ready and treat every opportunity like it’s your big break. Be coachable, dependable and never stop learning; ongoing training is essential.
In this industry, your name and your reputation are your business card.
One of the most meaningful pieces of advice I received was, “Remember, on your way up to greatness, you can still be kind at the same time.” That stuck with me and it’s how I strive to show up every day. Also, keep a mentor. Someone you trust, who you can ask questions without fear of judgment. It’s not a sign of weakness; it’s how you grow. I can’t stress that enough. And don’t limit yourself to mentors in your own department. Seek out guidance from professionals in other areas of the film industry too. It broadens your perspective, strengthens collaboration and makes you a better asset on set.
How does someone in your field/department best promote/market themselves to those hiring in your industry?
Build a strong digital presence through a clean portfolio, professional headshots and behind-the-scenes content. Leverage platforms like Instagram and LinkedIn, join production directories and consistently network at local industry events and workshops. This is a relationship business.
Are there any local film organizations, resources or events that have been beneficial to you in your career?
Yes, I’ve benefited from the Oklahoma Film + Music Office, the deadCenter Film Festival, Oklahoma film Facebook groups and networking mixers. These spaces foster connection and visibility.
What’s the one item you can’t live without on set, and why?
My entire set bag! I can’t live without it. It’s fully stocked with everything I need and stays with me at all times, so I’m always prepared. It saves me valuable time and keeps me from having to run back to my trailer or station for touch-ups or quick fixes.
Would your career be impacted without the state’s film incentive program? If so, how?
Absolutely. The film incentive program brings consistent work to Oklahoma and helps local artists like myself thrive without relocating. It’s key to the sustainability of our careers and the Oklahoma economy.
Where do you see yourself – AND – Oklahoma’s film industry in the next five years?
I envision myself mentoring a new generation of artists while continuing to create, direct and produce original content that reflects diverse voices, untold stories and things that make you laugh and love.
Oklahoma’s film industry is poised for continued growth, with more productions staying local and investing in the incredible homegrown talent we have here. I want to be a part of that growth by introducing the world of film to underprivileged kids, especially those who never imagined they could have a career in this industry simply because they weren’t born in L.A., New York, or Atlanta.
My goal is to help make Oklahoma their first film experience, so that if they fall in love with the craft and choose to explore opportunities elsewhere, they’ll always remember where it started. And when they return, they’ll bring with them new knowledge, relationships and creative energy, ultimately raising our visibility and reputation within the industry itself.
What are you working on now or next?
I am currently preparing for a major fashion event that will be filmed, showcasing the behind-the-scenes artistry and talent in Oklahoma, as well as the production process. I am also in pre-production for both a short film and a documentary series, where I will serve as producer and director. Additionally, I am developing a training series for individuals interested in behind-the-scenes film jobs they may not have known existed, opening doors for new talent to explore career paths beyond the spotlight. I am also starting Frosco Hill Collective, my creative agency, utilizing all the knowledge I have gained from being in the film industry.
Each featured individual or business is given the provided questions to answer in their own voice. Other than formatting and grammar, the answers are personal to each featured voice, and are not provided by the Oklahoma Film + Music Office.
